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The best reading of John Keats’ wonderful Ode to a Nightingale so far, in my humble opinion of course. Ben Wishaw reads it without the public or drama school accent that would be so unlike Keats’ own.
This poem has inspired so many poets and writers in the past 190 odd years. To my shame I only found out recently that F. Scott Fitzgerald took the title ‘Tender is the Night’ from stanza 4.
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On my blog over at No wriggling out of writing, I look at a recent paper that suggests John Keats’ inspiration for his great Ode ‘To Autumn’ may not have been the Winchester water meadows as previously thought. However, the spot is not a million miles away, and the Winchester tourist board need not worry too much….
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The first four lines of this ‘song’ by Keats are so very clever as a metaphor for possessive love..
I HAD a dove and the sweet dove died;
And I have thought it died of grieving:
O, what could it grieve for? Its feet were tied,
With a silken thread of my own hand’s weaving;
Sweet little red feet! why should you die -
Why should you leave me, sweet bird! why?
You liv’d alone in the forest-tree,
Why, pretty thing! would you not live with me?
I kiss’d you oft and gave you white peas;
Why not live sweetly, as in the green trees?
Published in Posthumous & Fugitive Poems
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I have posted a review of this very interesting, well researched and accessible biography linking the life of the poet John Keats with the experience of his brother George in Kentucky as one of the early English settlers in America.
It is of interest to lovers of poetry, biography an history - most particularly that of Kentucky and Illinois. You will meet swindlers, enjoy bear grease sandwiches and learn that John Keats’s greatest poetry was directly influenced by the physical distance between the brothers.
Go to by blog No wriggling out of writing for the full review.
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On my blog: I look at the 13 months of writing that produced some of the greatest poetry in the English language.
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John Mullen in The Guardian yesterday chose the ballad ‘La Belle Dame Sans Merci by John Keats as one of his ‘10 of the Best: Seductions’. Keats shares the list with a diverse mix of writers from Chaucer and Shakespeare to Winterson and Coetzee.
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A useful introduction to the life and work of John Keats, including transcripts and images of original manuscripts.
The first page of Hyperion
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On my blog - a John Keats poem that speaks to all of us as we go into a new year with ambitions we long to realise but lack the confidence to pursue.
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On our return from this circuit, we ordered dinner, and set forth about a mile and a half on the Penrith road, to see the Druid temple. We had a fag up hill, rather too near dinner-time, which was rendered void by the gratification of seeing those aged stones on a gentle rise in the midst of the Mountains, which at that time darkened all around, except at the fresh opening of the Vale of St. John.
John Keats 1818. Walking in the Lake District with Charles Brown and visiting the Castlerigg Stone Circle.
Photo crediy: Żaneta Miderska
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Unburn the boat, rebuild the bridge,
Reconsecrate the sacrilege,
Unspill the milk, decry the tears,
Turn back the clock, relive the years
Replace the smoke inside the fire,
Unite fulfilment with desire,
Undo the done, gainsay the said,
Revitalise the buried dead,
Revoke the penalty and the clause,
Reconstitute unwritten laws,
Repair the heart, untie the tongue,
Change faithless old to hopeful young,
Inure the body to disease
And help me to forget you please.
by Duncan Forbes
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Dylan Thomas, A Child’s Christmas in Wales1 note
“Poetry should surprise by a fine excess, and not by singularity—it should strike the reader as a wording of his own highest thoughts, and appear almost a remembrance.”
—John Keats, letter to John Taylor, 27 February 1818
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Sylvia Plath (via highlighterquotes)371 notes (via highlighterr)
Keats - a band made up of most of The Alan Parsons Project, an 80’s pop/rock band that included Colin Blunstone on occasional vocals.
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